I linked a while ago to a Youtube clip of baguazhang. From the information supplied by whoever posted it, the clip is taken from an 80s martial arts film called Wulin Zhi, also known as Pride’s Deadly Fury, and The Honor of Dongfang Xu. I did a bit of searching around online, and it seemed that this film is pretty hard to get hold of these days. I asked some martial arts friends in Beijing about it, and they didn’t know anything about it, and said they’d never seen it in the shops.
Anyway, I sent the YouTube link to my classmate Jono, who looked at it and said “Do you realise who the older girl in the clip is?” And of course, it’s Ge Chun Yan, our teacher! Most of the actors are from the original Beijing Wushu Team, and are serious martial artists. Jono mentioned the film to Madam Ge and, lo and behold, at last night’s training she arrived with a fistful of copies of the film on VCD (with price stickers in RMB on the shrinkwrap, so obviously it is still on sale in Beijing).
==== (Added later) SPOILER ALERT ====
From the YouTube clip, of course, I had no idea what the film was about. It’s actually a variant of the story of Huo Yuan Jia and the episode in which he fought a number of Western and Japanese fighters – the story recently retold in Jet Li’s Fearless. In this version, the protaganist (Xu?) is a Baguazhang expert making a living with his family as wandering martial artists, giving demonstrations for money. They have a falling out with some students of Master He Da Hai(the Huo Yuan Jia role). He defeats the students, and then master He, who becomes involved to defend the honour of his school. However, when Xu is subsequently injured, M aster He and his senior students prove themselves to be moral, upright characters who give him money to live on. After this, Xu and his family are taken in by a baguazhang master who helps him to regain his strength, and trains him in bagua techniques (this is the section on YouTube).
Master He is engaged in a contest with three Western strongmen, who know Chinese kung fu as well as western boxing and wrestling. He defeats the first two, but time runs out, and the contest with the last and strongest westerner is postponed. Before it can be held, the Westerners and Japanese treacherously send a Chinese thug to smash master He on the head with a club swung from a moving carriage. Master He is incapacitated. Xu visits him in hospital, and returns the money He had previously given. To his suprise, Xu is named by He as He’s successor as head of the school, and asked to take on thefinal westerner. After a confrontation with some of He’s students, who refuse to accept the new head, Xu takes on the last Westerner, in a long and difficult fight, which he eventually wins with bagua techniques. As the crowd swirls around him, one of the dissident students tries to stab Xu in the back. Master He is nearby, sees the attempt and, pushing Xu out of the way, is stabbed himself and dies. Thus, the story keeps fairly close to the Huo Yuan Jia legend.
Ge Chun Yan has very little to do in the film except to look shocked a few times. I was getting ready to be disappointed, until very late in the film. There’s a fairly lame subplot, in which a little girl is kidnapped by thugs, and is rescued by Ge Chun Yan with the assistance of some of the students from the school (as well as the bagua master, who appears from nowhere). Anyway, Ge Chun Yan whups a lot of bad-guy ass with some impressive bagua moves!
I’m being vague on names, relationships, and detailed plot points because the film is naturally all in Mandarin, with no subtitles, so I missed a lot of detail (although I was pleasantly surprised at how much I could follow).
Great film, with some excellent fight scenes, wicked westerners, and a rare chance to see bagua being used properly in fight scenes (and no, Jet Li in The One doesn’t count!)
By chance, I’ve just been watching the first disc of the film, whilst flicking through “Pa Kua” by Robert W. Smith and Allen Pittman. I am 99% certain that the youngest of the three Western strongman, and the only one to be beaten by Master He’s student, is played by Allen Pittman.
A very quick search on Google doesn’t reveal anything about this. Can anybody shed more light?
this was really interesting to read… i knew nothing about baguazhang before coming across your blog (i still know nothing but i have started reading about it a little bit.) which particular style of bagua do you play – i understand there are a few? how long have you been training? (sorry, i haven’t had an opportunity to look around all your past posts to see if you mention this somewhere). i might look into classes here in nyc to get a first hand idea of it.
Hi, Emlyn.
First, I am impressed both by how much you understood the plot of “Wu lin zi”(武林志) and by your readiness, very akin to your brisk mud wading steps, to share the story in the above review. Ge Chun Yan Laoshi must be very happy to know that.
Having said that I also would like to add some additional notes based on my interpretation after watching the VCD, perhaps at the same time as you did! My little addition, hopefully, may complement whatever little details that might have “lost in translation” due to the linguistic nuance. My interpretations, as in any other discourse in life, are certainly subject to hermeneutics as well as contextual weaknesses however much I wish to avoid them. In addition, my Mandarin is also half-baked, being born and growing up in Indonesia, where kungfu and things Chinese once had to be learnt “underground” under a repressive Soeharto’s politics to deracinate its ethnic Chinese minority of their culture:
1. The protagonist is Tong Fang Xu (东方旭). He was hailed from Zhang zhou. Prior to learning from the old baguazhang master, he was already an expert baguazhang fighter as proven by his subtle victory over He Da Hai (Master He). This happened during their first encounter following the tussle between Da Hai’s student and Xu in the market place. He Da Hai was an exponent of Xin Yi Liu He Quan (Six Harmonies Fist), which was supposed to be an internal martial arts but it appeared his kungfu was very much based on brute force (This was implicit in the comments of the assistant commander of Tianjin police force in the later part of the movie).
2. Tong Fang Xu’s baguazhang teacher was his father in law, Gao Hai Ming (郜海民). The old baguazhang teacher, Shen Quan Li (Li the Godly Fist), was the kungfu brother of Xu’s father-in-law. Xu had heard about him but never met him before. Ge Chun Yan played Gao Lian Zi (郜莲芝), the wife of Tong Fang Xu and the daughter of late Gao in the movie. The little girl who was kidnapped in the last episode, before the fight between the “Westerner” and Xu, was the daughter of Xu and Lian Zi.
3. Xu injured himself in the movie in order to solve a dilemma between helping the police force as a security officer and sticking to his principle. The corrupt police Commander of Tianjin was a lackey of the western power. Not surprisingly, the effort of Xu and the students of Shenzhou wushuguan (Shenzhou martial arts school) to report the culprit fell largely on deaf ears. This forced them to take things into their own hands to look for the man who ambushed and nearly killed Master He after he won the first two rounds in the ring.
4. The “Westerner” was a renowned Russian boxer (or “sambo” fighter ?), Taktarov (a name of mere coincidence with contemporary Russian free style fighter, Oleg Taktarov, I guess, as the movie was produced in early 80s). Taktarov was allegedly a 16 times champion of free fighting style. At the time he arrived in early 20th century China, the setting of the movie, the country was just 16 years away from the abortive Boxer Rebellion, a last attempt by the fragile and decadent Qing Dynasty to stop the growing influence of western colonial powers. (http://www.fordham.edu/halsall/mod/modsbook34.html) . Chinese boxing was proven futile against machine guns and cannons [Chen Ting Hua, one of the early proponents of Chen style Bagua, was said to be killed by the German machine guns before he himself took the life of tens of his opponents. There is another version of this story. See (http://www.jiangschool.com/ChengTing-Hua.htm). The new Republic that followed the collapse of Qing and whose President was power hungry, Yuan Shih Kai, was subservient to the rapacious and strong western powers. Under that environment, Taktarov and his students were dismissive of CMA (Chinese Martial Arts) and hence we heard him threw the derogatory slur of “Weak Man of the East” against Xu and the Chinese martial artists.
5. According to Ge Laoshi, the story is very likely based on a real account. I couldn’t (or haven't) find any historical evidence, however, after combing through google and Chinese yahoo behind the movie. Instead, I found lots of reference to Huo Yan Jia. The latter who was acted by Jet Li in “Fearless” was a real historical figure. He was also born in Tianjin and was well known as invincible in the city before his eventual odyssey into soul searching (see Wikipedia on “Fearless”). Perhaps, Tong Fang Xu, was made to subtly refer to Huo in the movie as an extension of post-Cultural Revolution China politics that aimed at dismissing any individual or cult idol worshipping. Certainly this did not apply to worshipping Mao (Remember the conversation that Mdm Ge told us during the dinner the other day when she mentioned that during her younger age, she did not attach to any Master as that would easily arouse the suspicion of the state apparatus which oversees the martial arts community. Officially, she only “baishi” (accepted as formal disciple with the ensuing traditional kungfu ceremony) with her current Master, GM Sun Zi Jun, in 2005. (http://www.plumpub.com/info/Bios/bio_sunzhizhun.htm)
6. Some of the good techniques in selected footages one would find enjoyable watching, included :
• Xu’s use of bagua “chit xing zhang” (seven star palms) to deflect and throw He Da Hai and his student’s forward strikes; (I remember Alex Kozma also trained in this during his workshops here),
• Circular walks in evading Tarrov’s fierce grappling,
• Qing gong demonstration,
• Iron palm training,
• Poles evading training, where the movements are to be done without touching the objects
• Ge Chun Yan’s demonstrations of applying Lao Ba Zhang in the final fights towards the end of the movie.
Other notes:
“Wulinzhi” (meaning Aspiration of the Martial World / Wu Lin [“wu” literally means “martial; “lin” literally means “forest”] ) is the name of a martial arts forum in mainland China now ; it is also the title of a kungfu novel of several series. Can you relate the literal meaning of “wulinzhi” to “burning pearl”? I start to see the light and the link now.
Lastly, I should say I really enjoy reading your blogs. Keep up with the good works. I do hope the “pearl” is getting shiny day by day.
Your kungfu brother,
J
“JR”: Many thanks for your kind words, and explanation of some of the many things I’d missed! One of these days, I’ll speak good enough Mandarin to understand it myself…
Gappa: the most widely-taught style of Bagua is Cheng style, and that’s what I’ve learned both here in Singapore, and previously in Beijing. Glad that I’ve got you interested in it – it’s worth learning more! There are a lot of schools in NYC, I think. The only one I’ve had contact with is Frank Allen’s Wu Tang school, who have some kind of relationship with my Beijing teacher, Zhang Sheng Li. I just hope their bagua is better than their web design skills… By the way, not sure if you’re a Hindu, but happy Deepavali if you are!
By the way, I emailed Allen Pittman (just googled him and found his address on his website), and asked him whether he had appeared in this film. He replied very promptly to say no, it wasn’t him. Uncanny; when I get back from Malacca, I’ll try to put up some pictures to compare the book and film…
[...] on the details but, as I understand it, some film company in Beijing is doing a retrospective on Wulin Zhi. As a part of this, they’re tracking down all of the stars, and finding out what [...]
[...] Emlyn has a good deal of information on the film, and identifies the older female martial artist as Ge Chun Yan. [...]
Prides Deadly Fury is one of my all time favorite Chinese Kungfu movies. The bagua is excellent. I understand it is performed by Wushu champion form performers. It is fantasy, based on mythology. It joins the Drunken Tai Chi Master and Unicorn Fist as my favorites. The Drunken Tai Chi Master should not be confused with the Tai Chi Master or The Drunken Master. In this one the drunken tai chi master has a rather large wife. It is partly comedy but the tai chi is well done.
I have not been able to find the Unicorn Fist movie again, I think it had another name the Prodigal Boxer, Maybe you can let me know more about it.
Best wishes,
HK
http://www.dotaichi.com
[...] got back from Beijing, so we had class last night. I’d asked her to bring back more copies of Pride’s Deadly Fury if she could,and she came up with the goods: three copies, on DVD this time (previously I got a VCD [...]
I have just discovered Bagua and started the basic training. Park Bok Nam is visiting the UK later in the year and I hope to attend one of his sessions.
Do you know where I can get Pride’s Deadly Fury (before I go to Beijing next year)?
Paul
How can i get a copy of this film…if any one know’s please post it.
Thank’s
Wayne
Amazon.com now stock the undubbed version
http://www.amazon.com/PRIDES-DEADLY-FURY/dp/B000OYNUEK/ref=sr_1_1?ie=UTF8&s=dvd&qid=1205012911&sr=8-1